Frank DOBSON (1886-1963) was a sculptor, draughtsman
and painter in oil and watercolour. Born in London, the son of an artist with whom he
initially studied, Dobson first attended Leyton School of Art, 1900-1902, and was an
apprentice studio boy with the sculptor Sir William Reynolds-Stephens, from 1902-4. After
a time in Cornwall from 1906-1910, he was at Hospitalfield Art Institute, Arbroath,
finally attending the City and Guilds School, Kennington, from 1910-1912. Although he made
his first wood carvings just before World War 1, Dobson's first one-man show, at the
Chenil Galleries in 1914, was of paintings and drawings. During World War I, he enlisted
in Artists' Rifles and continued working, with the Imperial War Museum acquiring his large
oil The Balloon Apron.
After the war Dobson met Percy Wyndham Lewis and exhibited with Group X in 1920; he
had his first one-man show as a sculptor at Leicester Galleries in 1921. His first
sculptures were very stylised, but later work was influenced by the work of Aristide
Maillol. During the inter-war years, Dobson consolidated his reputation. With Jacob
Epstein he was called a keeper of tradition, bridging classical and modern
sculpture by making the backdrop for the first performance of William Walton's Façade.
He showed internationally, and in addition designed glazed pottery reliefs
for Hay's Wharf, London. He completed his large carving Pax and other notable portraits.
He was the official war artist in World War II. Later, he became Professor of sculpture at
the Royal College of Art, from 1946-53. He was elected RA, in 1953. Dobson is represented
in many public galleries, including the Tate Gallery. There was an Arts Council memorial
exhibition in 1966, and a retrospective at Kettle's Yard Gallery in Cambridge from
1981-1982 which also toured. As well, there was a major retrospective at the Henry Moore
Institute in Leeds, in 1994. His style
influenced many younger painters, including Christopher Wood. He
died in London.
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